By Rachel Dworkin, archivist
On the night of November 21, 2004, a group of talented drag
kings and queens strutted their stuff at the annual Mr. & Miss Angles Pageant
at Angles Ultimate Dance Club on Railroad Avenue. Contestants competed in the categories
of evening wear and performance. While most people are familiar with the
concept of drag queens, few are aware of the long history of drag kings, or
male impersonators.
The history of men dressing as women for theatrical purposes
dates back centuries. The history of women impersonating men is nearly as old. Male
impersonators have played an important role in Chinese opera dating as far back
as the Tang Dynasty (618-907 C.E.) where The
Butterfly Lovers, an ancient folktale of two star-crossed crossdressing lovers,
was hugely popular. The golden age of Chinese male impersonators came during
the Yuan Dynasty (1279-1369 C.E.). In 1364, author and theater enthusiast Xia
Tingzhi wrote 117 biographies of some of the most prominent performers. They
played a wide range of roles from military figures and brigands (complete with
martial arts choreography) to tender young lovers. In the West, most male
impersonators played teenage boys or women disguising themselves as men. The
trend largely dated back to the early-1700s. By the mid-1800s, male
impersonation for comedic purposes in vaudeville sketches had also become
popular.
Male impersonator Zelma Rawlston, 1894 |
Locally, women performed male roles throughout the 19th
and 20th centuries. In 1894, Miss Virginia Earl drew praise from the
Star-Gazette’s theater critic for her
role as the young prince of Siam in the operetta Wang. Several vaudeville performers including Ida LePage and Zelma
Rawlston played men in comedic sketches or musical numbers. In 1935, there were
two male impersonators working the Elmira bar scene: Buddie Warren and Buddie
Brown. Warren was the M.C. and host of the Wonder Bar, 160 Lake Street, where
she introduced various acts. Brown, meanwhile, was a singer at the Annex Grill,
62 Pennsylvania Avenue.
Ad for the Wonder Bar, September 6, 1935 |
The use of the phrase “drag king” to refer to male
impersonators first became popular in the mid-20th century. Much
like drag queens, modern day drag kings tend to be members of the LGBTQ
community. While historically that was not always the case, several prominent
male impersonators have, in fact, been very queer. Julie D’Aubigny (1673-1707),
was a French opera star and duelist who regularly played male roles and had
lovers of both sexes. Annie Hindle (1840s-1897), the most well-known American male
impersonator of her day, married her dresser Annie Ryan in 1886 under an
assumed name.
Modern drag kings often perform dance numbers and comedy
routines which play up certain male stereotypes. They often take punny stage
names like Mo B. Dick and Freddie Prinze Charming. Locally, there are a few
places where you can catch a show including Angles Ultimate Dance Club, the
Starlight Room, and the Clemens Center.